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Archive for August, 2015

MOBILES

 

Trendy shades that click to match.

Invisible.

Except for what looks like a hearing aid

turning us all into

business buskers barking at buildings.

 

And it’s natural to turn

when someone says ‘Hello’.

 

You even get a choice now.

Number display.

Answer or reject.

Interruptions.

(Blasted ‘Call Waiting’.)

Choose to ignore the insistent beeping

and inevitably

others can’t resist the burning question.

 

Favourite songs are ruined forever

by ringing interpretations.

 

Courtesy has gone out the window.

Lunch breaks deleted.

Performances interrupted.

Moving movie moments spoilt.

 

Availability questioned

by “This mobile is turned off”.

 

Frances Macaulay Forde © 2001

(First published ‘Hidden Capacity ~ a poet’s journey’, 2003, Cork, Ireland.)

 

@FrancesMForde  #FrancesMacForde  #PHOTO:SunGazing  #POEM:Mobiles  #CellPhones  #Poetry  #HiddenCapacityFMF

 

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She’s Funny That Way

You’ve convinced me!

Film Mafia

Shes-Funny-That-Way-UK-Quad-Poster***1/2 (out of five)

Peter Bogdanovich’s She’s Funny That Way feels so much like a Woody Allen movie that you’d absolutely be forgiven for thinking, if shown it in some sort of secret preview, that it was one. In fact, you’d bet on it – your only obstructing thought being that Woody Allen doesn’t make comedies this enjoyable anymore.

Not that Allen has total dominion over screwball farces set amongst theatre-makers and prostitutes in hotels, restaurants and theatres in Manhattan, but he comes close. Bogdanovich, 76, made Noises Off, They All Laughed and What’s Up, Doc? amongst an eclectic filmography that includes classics (The Last Picture Show, Paper Moon), oddities (At Long Last Love, Saint Jack) and mainstream studio fare (Mask, Daisy Miller). He is the very epitomé of a movie-loving movie-maker, and his acting rap sheet is longer than that for his direction. He is not afraid of homage,

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Another fabulous WA Writer, Fiona Palmer reports:

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Roxi makes a lot of sense.

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Australian fiction.

looking up/looking down

Just out, the new issue of of Review of Australian Fiction , no. 4 in the special volume edited by Laurie Steed, featuring writers from Western Australia.

The first of this issue’s two stories is by dual Miles Franklin winner Kim Scott, author of novels That Deadman Dance, Benang and True Country, and chair of the Wirlomin Noongar Language and Stories Project. Kim is paired with emerging writer Liz Hayden, currently a PhD creative writing candidate, whose work investigates the life of a Nyoongar woman’s experience living and growing up in a rural town in Western Australia

RAF_VOL15_iss_4

Kim Scott’s story, entitled ‘Departure’, introduces a vulnerable teenage girl, Tilly, on her way home from private boarding school to the southern camp that is her home:

Central Bus Station was built upon the principle of a large shed and, except for the large windows on one wall…

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Sage advice…

Lynette Noni

marketing-author-platform2

In this day and age, as painful as it is to admit, agents and publishers are drawn to writers who have evidence of a platform already in play. This is partly because it means there is already a readership ready to purchase any books that may be signed on, but it’s also partly because it shows a willingness on your end to do some of the hard yards of marketing. And I say ‘hard yards’ because building a following is not easy. It takes time, it takes dedication, it takes vulnerability. So if an agent or publisher can see you already have people interested in your words – whether through blogging or other social media avenues – that tells them that they can consider taking you seriously as well.

I know, I know, it kind of sucks. I mean, what happened to the good old days when all you needed was to write a decent story? Well…

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We Belong

Enjoy!

My life In The African Teapot

If you are in the beautiful French-feeling town of Franschhoek, outside Cape Town, you may find yourself on Huguenot Street at a welcoming, authentic restaurant, Col’cacchio, after being drawn in by the divine smoky aroma of baking pizza’s and steaming pasta sauces. Amongst the array of white umbrella’s and wooden chairs, it is possible that you will be confidently received by an earnest smile and a convivial sense of humour– courtesy of Mr. Lubis Gondo who has been working in Franschhoek for the past six years.

Is a national identity something physical?

Is it the earth beneath one’s feet?

The colours and shapes on a flag?

Maybe it is none of these things, perhaps it is something immaterial; that flame embedded in our soul, a spark that is always present occasionally exploding into a blazing flame before it simmers down again into a rumbling volcanic quarry of secreted passion. A…

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